Analytical Studies in World Music

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Module summary

Demonstrate an understanding of harmonic techniques and processes that are specific to certain musical styles and eras, including classical, popular, jazz and world music and their application in musical composition, performance and production. Recognise, create and analyse significant approaches to musical organisation, with a particular emphasis on those developed harmonic techniques, and their application in musical composition, performance and production.

Demonstrate the ability analyse musical process and to communicate these analyses in written and spoken forms. Course content will include lectures, tutorial tasks, aural and transcription activities, technical practice exercises and other student activities.

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In order to pass this course, each student must complete ALL of the following compulsory requirements:. Disclaimer Every effort has been made to ensure the accuracy of the information on this website. However, changes to courses and programs may occur. The University accepts no responsibility for any information supplied on this web site or any actions taken on the basis of the information.

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Analytical and Cross-Cultural Studies in World Music — UBC School of Music

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Analytical Studies in World Music

Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide. Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide.

Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco, modern American chamber music, and a wealth of other genres create a border-erasing compendium of ingenious music analyses. Selections on the companion website are carefully matched with extensive transcriptions and illuminating diagrams in every chapter. Opening rich cross-cultural perspectives on music, this volume addresses the practical needs of students and scholars in the contemporary world of fusions, contact, borrowing, and curiosity about music everywhere.

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